《皆为好事》 Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.小编对此片的理解是 Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco,皆为好事这部影片以情感与成长为核心,叙事节奏张弛有度,剧情逻辑清晰完整,对人性与生活主题的呈现很真实动人。镜头画面️质感精良,配乐氛围贴合情绪,演员演绎自然到位,角色形象立体饱满。在情感表达与故事铺垫方面做得很出彩,也存在部分情节稍显平淡的小不足,不过不影响整体观感。它兼顾了观赏性与思考性,这集皆为好事看完能让人对生活与选择有新的感悟,很适合喜欢皆为好事多类型内容相关的观众。